The Frost is All Over

This is a picture I took on my way into work last week. The tree is rather ghostly, don't you think?

Below is another frosty picture I took the other day.



Going north from my little town, out into the wide open spaces, I ran into the following landscape. You can just barley see the mountain in the distance because there is snow in the air.



So the frost is all over. And I'm humming an Irish traditional jig called "The Frost is All Over." That's a strange name for a song, don't you think?

For quite a few years, I've been intrigued by the titles of Irish tunes. Many of them refer to love, people, and places. And I think the Irish have more than their share of drinking songs. But many tune names are very unusual. Here are a few:

-Merrily Kiss the Quaker
-Bag of Spuds
-Ladies' Pantalettes
-The Rambling Pitchfork
-Come up the Stairs with Me
-Indian Ate the Woodchuck
-Jack Gilder's Beard
-Oh Dear Mother My Toes Are Sore
-The Cat That Ate The Candle
-Pull Out the Knife and Stick it in Again

I think part of the reason the titles are so strange is because there are so many different (but similar) tunes. The Session, a very good Irish music website, has 8231 tunes on it. The classic Irish music reference, O'Neill's Dance Tunes of Ireland, has 1001 tunes in it. With so many tunes to name, I guess you'd eventually run out of ordinary names.

To play Irish music in a session with other people, you need to know lots of tunes. Irish musicians don't use sheet music -- it slows people down when they play, and much of the music is made for dancing. Irish musicians call people who read music "paper trained." Doug, my Irish musician friend and teacher, says that the tune names are designed to be memorable just so that the tunes, themselves, will be easier to remember.

Irish music is rooted in the stories and lives of the people. That's reflected in the titles. After being invaded by England, the Irish were forbidden to speak their own language, so music was used to remember or relay some of the important events. Of course, it was also a way to keep their heritage intact. So that may be why music is such an important part of the Irish culture.

Some people think all Irish tunes sound alike. If you have thousands of tunes, and 8 notes in a scale, and just 8 or 10 different rhythms/structures (jigs, reels, marches, polkas, slipjigs, hornpipes, mazurkas, srathspeys, waltzes), how different can the songs be? Is there a mathematician out there who could offer a solution to that problem? One thing is for sure -- the Irish keep the music interesting by the textures they create when they combine different instruments -- harps, fiddles, flutes, whistles, accordions, pipes, guitars, banjos, bouzoukis, mandolins...

Here are a couple of samples of The Frost is All Over:
http://www.imeem.com/groups/Leem07Ir,boanns_clan//music/sUV8tspH/boanns_clan_the_frost_is_all_over/

http://www.audiosparx.com/sa/archive/Christmas/Christmas-Vocals/The-Frost-is-All-Over/270772

The tune is fast (the way frost comes and goes) and has a cold feeling to it. But other than that, I can't figure where the title came from. Is there something crystalline about its structure? Did it have words at one time that talked about the frost and snow? My guess is that it was probably just the weather report that day.

Now that Christmas is all over, I hope everyone's resting, recovering from the festivities. I made it back to Ohio, where the Frost is NOT all over. It was 70 degrees yesterday!